Nominated for six Academy Awards

Nominated for six Academy Awards, and winner of Best Picture, Crash might be more than worthy of the critical acclaim surrounding its release. Probing the deepest recesses of racism, prejudice, and discrimination in modern-day America, the film forces viewers to look at their particular tendencies to generate and foster stereotypes. More to the point, and also so in a way that doesn accuse, blame, or pursue a political agenda. In fact, Crash even touches on the shortcomings of political correctitude and exactly how a number of people have allowed outside perceptions to affect judgment in personam, often to their personal detriment. Written and directed by Paul Haggis, author in the Million Dollar Baby screenplay, Crash can be a thoughtful bit of social commentary covered with a storyline ripe with conflict and suspense.

Crash follows numerous characters living in and around Los Angeles because they deal with racial perceptions, prejudices, and stereotypes into their daily lives. Jean Cabot (Sandra Bullock) struggles together with her wherewithal to trust her very own instincts following a car-jacking which leaves her teetering within the brink of a mental breakdown. Meanwhile, police officer John Ryan (Matt Dillon) harasses African-Americans due to the prejudices he developed following his father bankruptcy rice. Lucien (Dato Bakhtadze) with his fantastic wife Elizabeth (Karina Arroyave) find their own biases and self-perceptions erupting on the surface of their marriage after having a traumatic encounter with Officer Ryan. The outcomes of Ryan抯 hatred possess a rippling effect, a design that is repeated in countless other social exchanges between store managers, locksmiths, detectives, and hockey enthusiasts. In other words, Crash sets to jar its audience into recognition in the enormous consequences of racial prejudice, regardless of how inor?natural meats believe those attitudes might be.

The cast of Crash is superb. Don Cheadle completes his graduation from your front desk in the Golden Girls spin-off Golden Palace by submiting a 2nd blockbuster performance in a few months (Hotel Rwanda is the other). Like other characters from your film, Cheadle Graham struggles to fully develop because of time limitations, yet he manages to come across like a sympathetic and flawed character. Identical can be stated of Matt Dillon portrayal of Officer John Ryan. He isn only hatemonger skinhead, but rather a caring one that developed detrimental prejudice according to past events from his childhood. Finally, like the majority of the film characters, the viewers gets a peek at his good side.

Overall, Crash is an excellent film that lives up to the notoriety and hype. To the typical viewer, it's going to evoke myriad emotions ?hatred of racism, loathing of man inhumanity to man, empathy, self-reflection, and a knowledge of how one own prejudices may affect others. Paul Haggis brilliantly illustrates the outcomes of widespread attitudes harboring racist, prejudicial, discriminatory, and stereotypical overtones. He is doing so without pointing fingers or assigning blame. Everyone is guilty; no race, gender, class, or ideology is spared. Crash also probes the depths of yank prejudice by addressing the unintended consequences of both affirmative action and political-correctness. It this reluctance to strictly abide by an ideological agenda that empowers Crash using its universal appeal. By not being preachy, the film is better in a position to relate its themes to viewers from different types of background and perspective. It an entertaining film. Hopefully, Online DVD Market, it makes each us ponder on the way we relate to our fellow man. If that's so, then Crash might be more than just a film; it a new-changing experience.